The shapes pop, loosely contained in their marker-style inks, and the vivid colors dynamically shift the tone of each scene along with Olivier Deriviere’s orchestral score. But “The Spy Dancer” is far from familiar, enhanced with immaculate visual, musical, and emotional beauty. “The Spy Dancer” plays on a number of classic Star Wars elements: A thrilling action story layered with love and tragedy, starring underdog heroes in undercover operations, and ending with a poignant touch of hope. The thick, cartoonist lines feel like reading a French bande dessinée comic book brought to life, accompanied by an epic, grand score. Julien Chheng fills “The Spy Dancer” with spectacular showmanship. “The Spy Dancer” – Studio La Cachette from France Click here to read Wiktor Reinfuss’ reviews for “Sith”, “I Am Your Mother”, and “Journey to Dark Head”, and stay tuned for Emily Maack’s reviews coming soon! But without further ado, here are my reviews for “The Spy Dancer”, “The Bandits of Golak”, and “Aau’s Song” from Star Wars: Visions Volume 2. With so many outstanding episodes, we’re splitting up our reviews for the season across three articles. The experiment paid off so well that the second season draws from not only Japanese anime but animation styles and cultures from around the world.

At the time of its release, the debut season of Visions was a special venture for Star Wars that felt risky and experimental.

Star Wars: Visions Volume 2 continues the phenomenal animated anthology series that started in 2021, but pushes the concept even further.

Twisted emotions series in order